In chronological order
Bombino at Martyr's, June 9th
Woods at Pitchfork, July 19th
Bjork at Pitchfork, July 19th
Low at Pitchfork, July 20th
http://pitchfork.com/news/52261-listen-low-cover-rihannas-stay/
Yo la Tengo at Pitchfork, July 21st
Killer Mike at Pitchfork, July 21st
Neko Case at the Hideout Block Party, September 6th
Superchunk at the Hideout Block Party, September 7th
The Replacements at RiotFest, September 15th
Wednesday, January 1, 2014
Tuesday, December 31, 2013
Best Music of 2013
The 13 Best Albums of 2013
(in no particular order)
Chastity Belt--No Regerts (Help Yourself Records)
Wickedly funny, raunchy songs from an all-female quartet
from Walla Walla, Washington. Boasting amazing vocals and chiming, driving
guitars, No Regerts is one of those
albums you need to listen to at least once a day for months on end.
Bombino--Nomad (Nonesuch)
Desert rock filtered through American trance blues with incendiary guitar work from Tuareg artist Bombino from Agadez, Niger.
Savages—Silence Yourself (Matador Records)
A ferocious debut from London-based quartet. It’s great to see a buzz band that
lives up to its buzz—especially when the overall message of said buzz band is
telling you to tune out all the hype, noise and distractions.
Arcade Fire—Reflektor (Merge)
Arcade Fire’s most enigmatic album. During the first couple of listens, I found myself admiring its ambition, but hating its pretension; finding the songs derivative, then inventive; diffuse but too solipsistic. But every listen gave me more to admire. Reflektor is one of those albums that rewards patience and getting past preconceptions.
The National--Trouble Will Find Me (4AD Records)
Personally, I think Matt Berninger goes looking for trouble ‘cause it’s so much fun to sing about. No new ground broken here, but the National make angst and self-doubt so musically inviting.
Low--The Invisible Way (Sub Pop)
Gorgeous songs of faith, longing and reconciliation, ably produced by Jeff Tweedy.
Superchunk--I Hate Music (Merge Records)
Somehow Superchunk manages to write a summer road song (“Me & You & Jackie Mittoo”) that also ponders time, loss and mortality. Maybe music “can’t bring anyone back to this earth” but it’s the best we got. And on this album, it’s fine compensation.
Mavis Staples—One True Vine (ANTI-Records)
The second album of Mavis Staples produced by Jeff Tweedy is
a low-key gem. Her version of Low’s “Holy Ghost” is a spine tingler.
Neko Case--The Worse Things Get, The Harder I Fight, The
Harder I Fight, The More I Love You (ANTI- Records)
After falling into a depression after a number of deaths in her family, Neko Case creates one of her most personal and arresting albums.
Nick Cave & The Bad Seeds--Push The Sky Away (Bad Seed Ltd)
Nick Cave eases up on the pedal-to-the-metal assault of the two Grinderman albums and Dig, Lazarus, Dig, but these are no lullabies. The musical restraint creates its own tension, and the lyrics, with mermaids hung by their hair from the streetlights and a fetus on a leash, add to the unease.
My Bloody Valentine—MBV (self-released)
22 years after Loveless, My Bloody Valentine releases an album that builds on that classic and expands the sound.
Rhye—Woman (Republic Records)
Is your Al Green CD in the car? Does your Barry White album skip? No problem, Rhye's Woman will set the mood.
Valerie June--Pushin' Against a Stone (Sunday Best)
With a voice that sounds like it's coming from a John Lomax field recording instead of a contemporary album, Valerie June transports the listener.
Tuesday, January 1, 2013
Best Music of 2012
Best of 2012
1) Frank Ocean – Channel Orange (Def Jam
All the buzz about the brilliant debut album of this New Orleans R&B singer is justified. I listened to this album as much as any album this year and had a new favorite song from it every week.
2) Cloud Nothings--Attack on Memory
Angsty, high-energy punk pop from Cleveland’s Dylan Baldi, who has graduated from basement studio productions to fronting a band. When my days at work became beastly, screaming along to this album on the drive home was a catharsis. “Stay Useless” is my song of the year.
3) Sharon Van Etten -- Tramp (Jagjaguwar)
Recorded with the help of The National’s Aaron Dessner, Van Etten broadens her musical palette and releases her most consistently compelling album to date.
4) The Coup -- Sorry to Bother You (Epitaph)
Boots Riley and company mix up a potent blend of hip hop, 70s funk, soul, garage rock and wickedly funny agitprop. The revolution may not be televised, but there will be dancing. The Coup also put on one of the best live shows of 2012.
5) Best Coast--The Only Place (Mexican Summer)
If you stop listening to the lyrics after the sunny title song you could easily mistake this for a breezy summer fluff album of sixties retro tunes. But the success of her first album seems to have unsettled LA native Bethany Cosentino. These are dark songs from a sunny clime, with lyrics about trying to stifle self doubt with drinking and shopping. Cosentino continues to develop her her songcraft, and her singing is stronger than ever.
6) Japandroids -- Celebration Rock (Polyvinyl)
The title is its own review. This duo from Vancouver, British Columbia makes some happy noise.
7) dB’s--Falling Off the Sky (Bar None)
After a gap of thirty years, all four original members of the dB’s reunite and put out an album as punchy and toothsome as their best stuff from the eighties. They floored me when I saw one of their shows at the Hideout in November.
8) Santigold – Master of My Make Believe (Atlantic)
The less she tries to sound like MIA, the better she is.
9) Walkmen--Heaven (Fat Possum)
The Walkmen grow up, mellow out, become dads and still make some terrific music.
10) Lee Fields -- Faithful Man (Truth & Soul)
Old school soul from a veteran with 40 years of experience. An amazing singer, killer band and first rate material.
Also many happy listens:
Alabama Shakes-- Boy and Girls (Ato)
First Aid Kit--The Lion’s Roar (Wichita)
Passion Pit--Gossamer (Columbia
Monophonics--In Your Brain (Ubiquity)
XX--Coexist (Young Turks)
1) Frank Ocean – Channel Orange (Def Jam
All the buzz about the brilliant debut album of this New Orleans R&B singer is justified. I listened to this album as much as any album this year and had a new favorite song from it every week.
2) Cloud Nothings--Attack on Memory
Angsty, high-energy punk pop from Cleveland’s Dylan Baldi, who has graduated from basement studio productions to fronting a band. When my days at work became beastly, screaming along to this album on the drive home was a catharsis. “Stay Useless” is my song of the year.
3) Sharon Van Etten -- Tramp (Jagjaguwar)
Recorded with the help of The National’s Aaron Dessner, Van Etten broadens her musical palette and releases her most consistently compelling album to date.
4) The Coup -- Sorry to Bother You (Epitaph)
Boots Riley and company mix up a potent blend of hip hop, 70s funk, soul, garage rock and wickedly funny agitprop. The revolution may not be televised, but there will be dancing. The Coup also put on one of the best live shows of 2012.
5) Best Coast--The Only Place (Mexican Summer)
If you stop listening to the lyrics after the sunny title song you could easily mistake this for a breezy summer fluff album of sixties retro tunes. But the success of her first album seems to have unsettled LA native Bethany Cosentino. These are dark songs from a sunny clime, with lyrics about trying to stifle self doubt with drinking and shopping. Cosentino continues to develop her her songcraft, and her singing is stronger than ever.
6) Japandroids -- Celebration Rock (Polyvinyl)
The title is its own review. This duo from Vancouver, British Columbia makes some happy noise.
7) dB’s--Falling Off the Sky (Bar None)
After a gap of thirty years, all four original members of the dB’s reunite and put out an album as punchy and toothsome as their best stuff from the eighties. They floored me when I saw one of their shows at the Hideout in November.
8) Santigold – Master of My Make Believe (Atlantic)
The less she tries to sound like MIA, the better she is.
9) Walkmen--Heaven (Fat Possum)
The Walkmen grow up, mellow out, become dads and still make some terrific music.
10) Lee Fields -- Faithful Man (Truth & Soul)
Old school soul from a veteran with 40 years of experience. An amazing singer, killer band and first rate material.
Also many happy listens:
Alabama Shakes-- Boy and Girls (Ato)
First Aid Kit--The Lion’s Roar (Wichita)
Passion Pit--Gossamer (Columbia
Monophonics--In Your Brain (Ubiquity)
XX--Coexist (Young Turks)
Sunday, January 1, 2012
11 in 2011
My Top 11 in 2011 in 11 words or less
also posted on CHIRP Radio Best of 2011
In no particular order
Let England Shake, PJ Harvey
Grim, haunting songs sweetly sung. Next time, PJ, more guitar please.
Fractured Days, Brief Candles
Shoegazers from Milwaukee = bowling shoe gazers. Stellar from start to finish
Yuck, Yuck
These kids do the 90s better than most 90s bands.
The Whole Love, Wilco
Best since Yankee Hotel Foxtrot
WHOKILL, Tune-Yards
Wha? Ukelele-driven African beats? One of the year's best surprises.
Weird Freedom, Little Gold
Former Woods guitarist gets his pubrock/psychedelic/alt country freak on.
Cults, Cults
Bouncy but creepy take on sixties girl group sound and themes.
Last Summer, Eleanor Friedberger
Stream of consciousness tour of Manhattan and other islands.
Bad as Me, Tom Waits
Waits and Nick Cave give aging rockers hope.
The King is Dead, The Decemberists
Decemberists get rootsy, release one of their strongest efforts to date.
Icky Mettle, Archers of Loaf
Favorite reissue. 18 years later and still crunchy.
also posted on CHIRP Radio Best of 2011
In no particular order
Let England Shake, PJ Harvey
Grim, haunting songs sweetly sung. Next time, PJ, more guitar please.
Fractured Days, Brief Candles
Shoegazers from Milwaukee = bowling shoe gazers. Stellar from start to finish
Yuck, Yuck
These kids do the 90s better than most 90s bands.
The Whole Love, Wilco
Best since Yankee Hotel Foxtrot
WHOKILL, Tune-Yards
Wha? Ukelele-driven African beats? One of the year's best surprises.
Weird Freedom, Little Gold
Former Woods guitarist gets his pubrock/psychedelic/alt country freak on.
Cults, Cults
Bouncy but creepy take on sixties girl group sound and themes.
Last Summer, Eleanor Friedberger
Stream of consciousness tour of Manhattan and other islands.
Bad as Me, Tom Waits
Waits and Nick Cave give aging rockers hope.
The King is Dead, The Decemberists
Decemberists get rootsy, release one of their strongest efforts to date.
Icky Mettle, Archers of Loaf
Favorite reissue. 18 years later and still crunchy.
Monday, December 27, 2010
2010 Top Ten List
1) This is Happening, LCD Soundsystem
Summer officially started 3:06 into “Dance Yourself Clean” when the volume surges and handclapping gives way to a monster bass line. Finally, I can see the appeal of driving a boom car where the bass rattles all the windows in the neighborhood.
2) The Suburbs, Arcade Fire
This album could have been a load of pretentious crap, filled with clichés about the sterility and open-aired claustrophobia of suburban life. Thankfully, The Suburbs (for the most part) avoids those pitfalls and delivers a meditation on the emotional pull of a place you once called home. And the importance and inevitability of leaving that place.
3) Halcyon Digest, Deerhunter
The album is shot through with lyrics that twist in upon themselves, contradicting lines of optimism, then providing grace notes to the bleakest lines. One of the more poignant tracks, “Helicoptor,” imagines the last moments of Dima, a Russian male escort, before he is thrown off a helicopter. That strange unidentifiable percussive sound is the blade of the helicopter, heard through a drug-addled haze.
4) My Beautiful Dark Twisted Fantasy, Kanye West
In an album filled with diverse musical styles, samples from all over, guest stars and a wide-ranging inventiveness, West still manages to find space to wedge in all of his ego and all of his doubts.
5) Together, The New Pornographers
Not as propulsive as Twin Cinema or as hauntingly lovely as Challengers, Together is still sublime pop.
6) The Lady Killer, Cee Lo Green
This album is much more than the ubiquitous kiss-off single with the Motown bounce. Cee Lo obviously loves the soul stylings of the sixties and seventies and does an inspired take on them.
7) The ArchAndroid, Janelle Monáe
A remarkable debut album, switching between music genres with more dexterity and poise than most veterans could manage. She also seemed to be everywhere at once as a guest artist—appearing on albums by B.o.B., Big Boi and Of Montreal. And she brings it live. Even hampered with a muddy sound mix at Chicago’s Riviera Theatre, she put on a jaw-dropping performance.
8) High Violet, The National
Not the high water mark of Boxer or Alligator, perhaps because what they are writing about is more elusive. Instead of the bipolar extremes of male extended adolescence, with its dizzying self-regard (“All the Wine”) or its groveling lows (“Slow Show”), High Violet is trying to capture something else, that imperceptible slide into adulthood.
9) The Fool, Warpaint
The first full-length album by this LA all-female quartet is hypnotic. Lots of space in these songs to get lost in.
10) Crazy for You, Best Coast
Sunny pop songs about AWOL boyfriends who disappear with the weed.
Lots of Happy Listenings:
The Five Ghosts, Stars
False Priest, Of Montreal
Forgiveness Rock Record, Broken Social Scene
Broken Bells, Broken Bells
Broken Dreams Club, Girls
Astro Coast, Surfer Blood
You Are Not Alone, Mavis Staples
New Amerykah Part Two, Erykah Badu
Their fifteen minutes are over: Sleigh Bells
Summer officially started 3:06 into “Dance Yourself Clean” when the volume surges and handclapping gives way to a monster bass line. Finally, I can see the appeal of driving a boom car where the bass rattles all the windows in the neighborhood.
2) The Suburbs, Arcade Fire
This album could have been a load of pretentious crap, filled with clichés about the sterility and open-aired claustrophobia of suburban life. Thankfully, The Suburbs (for the most part) avoids those pitfalls and delivers a meditation on the emotional pull of a place you once called home. And the importance and inevitability of leaving that place.
3) Halcyon Digest, Deerhunter
The album is shot through with lyrics that twist in upon themselves, contradicting lines of optimism, then providing grace notes to the bleakest lines. One of the more poignant tracks, “Helicoptor,” imagines the last moments of Dima, a Russian male escort, before he is thrown off a helicopter. That strange unidentifiable percussive sound is the blade of the helicopter, heard through a drug-addled haze.
4) My Beautiful Dark Twisted Fantasy, Kanye West
In an album filled with diverse musical styles, samples from all over, guest stars and a wide-ranging inventiveness, West still manages to find space to wedge in all of his ego and all of his doubts.
5) Together, The New Pornographers
Not as propulsive as Twin Cinema or as hauntingly lovely as Challengers, Together is still sublime pop.
6) The Lady Killer, Cee Lo Green
This album is much more than the ubiquitous kiss-off single with the Motown bounce. Cee Lo obviously loves the soul stylings of the sixties and seventies and does an inspired take on them.
7) The ArchAndroid, Janelle Monáe
A remarkable debut album, switching between music genres with more dexterity and poise than most veterans could manage. She also seemed to be everywhere at once as a guest artist—appearing on albums by B.o.B., Big Boi and Of Montreal. And she brings it live. Even hampered with a muddy sound mix at Chicago’s Riviera Theatre, she put on a jaw-dropping performance.
8) High Violet, The National
Not the high water mark of Boxer or Alligator, perhaps because what they are writing about is more elusive. Instead of the bipolar extremes of male extended adolescence, with its dizzying self-regard (“All the Wine”) or its groveling lows (“Slow Show”), High Violet is trying to capture something else, that imperceptible slide into adulthood.
9) The Fool, Warpaint
The first full-length album by this LA all-female quartet is hypnotic. Lots of space in these songs to get lost in.
10) Crazy for You, Best Coast
Sunny pop songs about AWOL boyfriends who disappear with the weed.
Lots of Happy Listenings:
The Five Ghosts, Stars
False Priest, Of Montreal
Forgiveness Rock Record, Broken Social Scene
Broken Bells, Broken Bells
Broken Dreams Club, Girls
Astro Coast, Surfer Blood
You Are Not Alone, Mavis Staples
New Amerykah Part Two, Erykah Badu
Their fifteen minutes are over: Sleigh Bells
Monday, August 16, 2010
More Lollapalooza
Arcade Fire
The high point of my summer:
Set list: Ready to Start (opener), Neighborhod #2 Laika, No Cars Go, Haiti, Empty Room Rococo, The Suburbs, Intervention, Crown Of Love, Neighborhood #1 (Tunnels), Sprawl II (Mountains Beyond Mountains), We Used to Wait, Neighborhood #3 (Power Out), Rebellion (Lies), Keep the Car Running. Wake Up (encore)
The high point of my summer:
Set list: Ready to Start (opener), Neighborhod #2 Laika, No Cars Go, Haiti, Empty Room Rococo, The Suburbs, Intervention, Crown Of Love, Neighborhood #1 (Tunnels), Sprawl II (Mountains Beyond Mountains), We Used to Wait, Neighborhood #3 (Power Out), Rebellion (Lies), Keep the Car Running. Wake Up (encore)
Monday, August 9, 2010
Lollapalooza 2010
One of the first highlights. Mavis Staples performs The Band's "The Weight." An amazing version that had the whole crowd singing along. Catch it here.
Later Ms. Staples brought out Jeff Tweedy, who produced her upcoming album, out for a guest turn. Mr. Tweedy doesn't sing, just plays a little acoustic guitar.
After Staples finishes, the Drive-by Truckers start at the stage on the other side of the field. Guitarist Patterson Hood asks the crowd to give a hand for Mavis. Seems like a gracious gesture, but it's even better. Later I read that his father, David Hood, played bass on a number of Staple Singers session at Muscle Shoals in the 1970s. Very cool.
Later Ms. Staples brought out Jeff Tweedy, who produced her upcoming album, out for a guest turn. Mr. Tweedy doesn't sing, just plays a little acoustic guitar.
After Staples finishes, the Drive-by Truckers start at the stage on the other side of the field. Guitarist Patterson Hood asks the crowd to give a hand for Mavis. Seems like a gracious gesture, but it's even better. Later I read that his father, David Hood, played bass on a number of Staple Singers session at Muscle Shoals in the 1970s. Very cool.
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