2010 Top Ten List

1) This is Happening, LCD Soundsystem
Summer officially started 3:06 into “Dance Yourself Clean” when the volume surges and handclapping gives way to a monster bass line. Finally, I can see the appeal of driving a boom car where the bass rattles all the windows in the neighborhood.

2) The Suburbs, Arcade Fire
This album could have been a load of pretentious crap, filled with clichés about the sterility and open-aired claustrophobia of suburban life. Thankfully, The Suburbs (for the most part) avoids those pitfalls and delivers a meditation on the emotional pull of a place you once called home. And the importance and inevitability of leaving that place.

3) Halcyon Digest, Deerhunter
The album is shot through with lyrics that twist in upon themselves, contradicting lines of optimism, then providing grace notes to the bleakest lines. One of the more poignant tracks, “Helicoptor,” imagines the last moments of Dima, a Russian male escort, before he is thrown off a helicopter. That strange unidentifiable percussive sound is the blade of the helicopter, heard through a drug-addled haze.

4) My Beautiful Dark Twisted Fantasy, Kanye West
In an album filled with diverse musical styles, samples from all over, guest stars and a wide-ranging inventiveness, West still manages to find space to wedge in all of his ego and all of his doubts.

5) Together, The New Pornographers
Not as propulsive as Twin Cinema or as hauntingly lovely as Challengers, Together is still sublime pop.

6) The Lady Killer, Cee Lo Green
This album is much more than the ubiquitous kiss-off single with the Motown bounce. Cee Lo obviously loves the soul stylings of the sixties and seventies and does an inspired take on them.

7) The ArchAndroid, Janelle Monáe
A remarkable debut album, switching between music genres with more dexterity and poise than most veterans could manage. She also seemed to be everywhere at once as a guest artist—appearing on albums by B.o.B., Big Boi and Of Montreal. And she brings it live. Even hampered with a muddy sound mix at Chicago’s Riviera Theatre, she put on a jaw-dropping performance.

8) High Violet, The National
Not the high water mark of Boxer or Alligator, perhaps because what they are writing about is more elusive. Instead of the bipolar extremes of male extended adolescence, with its dizzying self-regard (“All the Wine”) or its groveling lows (“Slow Show”), High Violet is trying to capture something else, that imperceptible slide into adulthood.

9) The Fool, Warpaint
The first full-length album by this LA all-female quartet is hypnotic. Lots of space in these songs to get lost in.

10) Crazy for You, Best Coast
Sunny pop songs about AWOL boyfriends who disappear with the weed.


Lots of Happy Listenings:

The Five Ghosts, Stars

False Priest, Of Montreal

Forgiveness Rock Record, Broken Social Scene

Broken Bells, Broken Bells

Broken Dreams Club, Girls

Astro Coast, Surfer Blood

You Are Not Alone, Mavis Staples

New Amerykah Part Two, Erykah Badu


Their fifteen minutes are over: Sleigh Bells

Pitchfork 2010

Highlight

The most anticipated act paid off big time. LCD Soundsystem, Saturday night's headliner, grabbed the crowd from the first song (a fiery "Us V Them")and held it throughout its hour plus set. The peak of the set (and the whole weekend) came with an amazing "All My Friends." The percussive piano chord keeps repeating and repeating, building the tension released only when the last line comes around, which the whole crowd happily sings along.

The set had some huge omissions: "North American Scum," "Dance Yourself Clean" (which I think would sound amazing live), and "Home." If this is the last tour for this group, they are leaving at the top of their game.

Partial set list: "Drunk Girls," "I Can Change," "Pow Pow," "Someone Great," "Yeah Yeah," "Tribuations," "Losing My Edge," "Daft Punk," and a very curious choice for a closer, "New York, I Love You."

Friday at Lollapalooza

Irony does not seem to function in an outdoor concert setting. I'm pretty sure that when Kurt Cobain wrote Lithium, the opening lyrics of "I'm so happy…" is not to be taken at face value. But when the Polyphonic Spree gets the crowd in a huge sing-along, Lithium becomes a feel-good anthem. The camera focuses on Tim Delaughter moving among the audience and singing, "I'm so ugly, but that's okay, so are you," then zooms in on a guy getting a pat on the head while the lyrics are sung to him and it's a big crowd pleaser with this guy truly ecstatic that the joke was on him.

I noted this last year when Sleater/Kinney sang Modern Girl and everyone sang the "My whole life is a like a picture of a sunny day" line. So a song about limits of materialism becomes a festival feel-good song. Not that I minded it either time.

After a hot and muggy day, the sun slips behind the skyscrapers in the west just in time for the 7:30 show of LCD Soundsystem. The area around stage fills up quickly with people who just got off of work and are ready to dance off any traces of the workweek. James Murphy (who has serious bed hair) and the band play an intense set. In between songs, Murphy has droll monologues: “I never know what to say in between songs. What can I say? ‘Are You Ready?’ Never could understand why performers ask that. You are all obviously ready, waiting for the next song. What do you have to be ready for? It’s the band that needs to be ready. And we’re not, so I have to say stuff like this.”

The set reaches its peak during a red hot version of "All My Friends." The song's ending refrain of "Where are your friends tonight?" which has always seemed a twist of a knife now becomes a joyous shout. Our friends are here tonight and we're all dancing our asses off.